Tuesday, January 10, 2012

architectural history and preservation


I just read on The Fox is Black that one of architect Richard Nuetra's buildings is currently empty and possibly to be demolished. I spent a semester analyzing every aspect of Nuetra's VDL House, even exchanging emails with Nuetra's son and architect in his own right, Dion, but hadn't learned of the Cyclorama. In fact, this style of building is one I missed completely despite History of the Interior and the many lessons on architecture I had in school. According to the Alex from The Fox is Black, "Built to display 360-degree paintings, Cycloramas were popular in the 19th century when hundreds of looped paintings traveled through dozens of cycloramas across the States."

Because the building is adjacent to Gettysburg, and even blocks the view of the battlefield, its fate is uncertain. The park service would like the Cyclorama removed to restore the view, architecture lovers want to preserve Nuetra's work. I lean toward preserving the building, either by allowing it to stand where it is or by moving it, if necessary. I am a architecture lover, but also a history lover and I think Alex put it well when he wrote:

Cycloramas do not carry the same historical weight as the Civil War, nor does any single architect. But we aren’t going to forget the Civil War anytime soon. Cycloramas and legacies of modern architects are much more fragile; when they intertwine with such a historical behemoth, it’s strange to think that agencies interested in historical preservation would fight for their erasure. History might be inconveniently located, but it’s history nonetheless.

Perhaps by keeping the building where it was intended will serve the original purpose of a building built to hold a 365 painting of Gettysburg- to teach history lovers a little something about architecture, and to remind architecture lovers that our history is what allows us to create today.


Images from The Fox is Black.

Friday, January 6, 2012

harry potter love

One reason I shared few Christmas projects is that projects I did make this season were very personal and I didn't want to spoil the surprise. For my younger sister, I made a set of Harry Potter quote posters. We are both big fans of the books (and lesser fans of the movies, though one of these quotes is actually from the movie. It's a good quote, though.)




I used the same font as the books and left the posters in black and white, to look most similiar to the books.  It's been a while since I've played around on illustrator or any Adobe CS products, but since making these I've done a few more projects that I'll be slowly sharing.

You can download the posters as pdfs here, posters are 11x17 prints. I'm sharing them freely, so feel free to use them in any non-commercial use.

Sunday, January 1, 2012

Happy 2012!

Happy New Year! 

This year was a big one, involving many big changes including leaving my job and moving across the country. There have been setbacks and challenges but I have been moving forward and have big goals for 2012, especially for my design work and this blog. I'm excited to continue exploring what community based design means to me and how design can make a difference. There will be more learning sf posts as I explore my adopted home, more recipes, more tumblights and, I truly hope, more conversations.

Looking forward to sharing 2012.

Thursday, December 15, 2011

design intervention: doing it right

[Santa Marta community, Rio de Janeiro, image from Favela Painting]

I love the colorful buildings of artistic team Haas & Hann's projects. The duo's favela project, originally conceived in Brazil, pays local youth to paint buildings vivid shades. I love that the project is "not about cosmetically 'camouflaging' an area, but rather rejuvenating deprived areas of a city and creating a positive social effect on the general district at hand." I was first introduced to the pair's work on Apartment Therapy when in an article titled "Should New York Go Neon?" The proposed images of New York were thrilling to me, but the article and the idea struck me as misguided. The proposal of an unsolicited "intervention" in lower Manhattan from a pair of designers from outside the United States lacked the community input I think is necessary for a project to be truly uplifting instead of just aesthetically pleasing. And while they certainty are pleasing to me, many may find the colors an eyesore especially without community consultation and buy-in.

[Proposed NYC project, image from Apartment Therapy]

Tonight I took the time to look at the Favela Painting website in more depth. There were things that heartened me, such as the education in painting skills and safety the local youth received, which can serve as job training. Additionally, "inside of the sambaschool was painted in [the area's] traditional colors"

While of course there are many other improvements that could be made to those communities (either in Brazil or New York,) even small physical appearance changes can have a very positive affect. The Favela Project was started in 2006 in Brazil where the Dutch team works and lives, and the New York proposal was more of a creative design exercise than true proposal. I would hope a team that has had such successful projects in the past understand the important of community in the design process should such a project actually move forward. What works in one community does not translate to all communities, especially if the similarity in the communities is largely on of economic status or political power instead of culture and identity. I encourage Haas & Haan to continue the painting project in Brazil if it as welcome in the community as my google-ing suggests but to think deeper about ways to bring the same joy to other cities.

What do you think are best practices for community-based design?

[Painters at work in Rio, image from Favela Painting]