read more: the duty of design

"It is enough for good design to be things we cherish because they are beautiful, well made, or a pleasure to use, but it seems to me that our daily lives are dominated by barely competent and sometimes downright sinister works of industrial design, and I do not understand why designers don’t spend more time chasing down these opportunities.

The whole infrastructure of security and surveillance that dominates our experience of the city today (to take just one example) has gone untouched by the field of product design in any meaningful way. These are works of design that take justice and trust as their topic, and they make it pretty clear how those in power think of us as citizens."
- Kieran Long, On the Civic Duty of Product Design for Dezeen 

My office on Glitter Guide

Yesterday I had the honor of having my office featured on Glitter Guide alongside several of my Rue colleagues and other amazing business women. While still very much a work in progress I love my little office and was excited to share. Plus amazing photographer and friend Anna Marks shot my space and made it look amazing. 

We only got to share one image on Glitter Guide so my other favorites are below the jump. Then head over to Glitter Guide to read my tips for staying organized.

gravity and grace

A friend sent me a link to the art work of El Anatsui after she saw his work at the Brooklyn Museum. El Anatsui " converts found materials into a new type of media that lies between sculpture and painting, combining aesthetic traditions from his birth country, Ghana; his home in Nsukka, Nigeria; and the global history of abstraction." His show, Gravity and Grace, at the Brooklyn Museum has "over 30 works in metal and wood that transform appropriated objects into site-specific sculptures." 

new collection launched

Recently I shot my newest collection of jewelry with the help of three amazingly talented women- Kelli Ryder, my teammate at Rue and a talented stylist, Anna Marks, an wonderful photographer, and Sarah Long of Sarah's Ambitions, shown here as my stunning model.

I'm thankful that they got a great reception at the Rue office and our Editor-in-Chief chose to give a sneak peek of the still-in-development lookbook on Rue Daily. I've saved my favorite images for Rue so hurry over and check it out.

Then get your summer shopping done online on my online shop or BRIKA.

read more: richard rogers on an architect's duty

"In my generation the idea was you'd build for the future... The idea is that we have a responsibility to society. That gives us a role as architects not just to the client but also to the passer-by and society as a whole."
- From Denzeen

futurebrite

A while I ago I assisted a friend, Karen, on the creation of a music video for her band, Futurebrite. We filmed in one of the few towns in the Bay Area that allows fireworks (even sparklers are banned in most places, shocking to this girl from the South.) My job mainly consisted on lighting sparklers and trying to avoid littering. Nonetheless, it was fun to dabble in a new creative medium and seeing the finished project is very exciting.



If you are loving this video, you can vote for Futurebrite on The Deli music blog to be San Francisco Artist of the Month. Voting ends July 2.

read more: africa's new cities

"Africa is bracing itself for the arrival of the New Cities. That’s the term being used by urban scholars to describe the continent’s next urban phenomenon: Comprehensively planned, independent, relatively self-contained communities, usually built from scratch, and large enough to provide within their borders housing, public facilities, socio-cultural opportunities and employment for their residents...

Based on the assumption of a shared longing for new urban spaces, these cities come with promises of impressive amenities and functioning systems that will enable the urban lifestyle most Western cities provide. And they’re branding themselves accordingly – they’re sometimes called Eco-Cities or Smart Cities — and boast that they will be more connected, global and sustainable than traditional cities.

What is worrying is that there is little recognition of place, economy, context and even poverty in these cities. This begs several questions. To whom do these cities belong? Who is planning them? Are they inclusive cities, or simply profit-driven businesses?"
- Jane Lumumba, Why Africa Should Be Wary of It's 'New Cities'